Dance choreography developed simultaneously in several countries through the internet.

A group of dancers are distributed among Spain (Kònic thtr), Mexico (Translab), and Brazil (Poéticas Tecnológicas) through the internet, in what has been called «distributed choreography» (Lisa Naugle) or «networked performance» (Johannes Birringer). The dancers relate only through real-time video on a system of juxtaposed screens where the physically present and the telematic dancers can see each other, while the audience can access p one of the physical performance spaces in person or remotely. A dialogue is established between the dances of each of the spaces so that none of them is hierarchically superior to the others, but rather it is the dialogue that configures the entirety of the piece.